{"id":7129,"date":"2023-02-04T09:46:14","date_gmt":"2023-02-04T09:46:14","guid":{"rendered":"https:\/\/realityplus.org\/?page_id=7129"},"modified":"2023-02-04T12:22:44","modified_gmt":"2023-02-04T12:22:44","slug":"press-quotes","status":"publish","type":"page","link":"https:\/\/realityplus.org\/press-quotes\/","title":{"rendered":"Press \/ Quotes"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"7129\" class=\"elementor elementor-7129\" data-elementor-settings=\"{&quot;premium_particles_zindex&quot;:0,&quot;premium_particles_responsive&quot;:[&quot;desktop&quot;,&quot;tablet&quot;,&quot;mobile&quot;]}\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-afabfeb e-flex e-con-boxed e-con e-parent\" data-id=\"afabfeb\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;,&quot;premium_particles_zindex&quot;:0,&quot;premium_particles_responsive&quot;:[&quot;desktop&quot;,&quot;tablet&quot;,&quot;mobile&quot;]}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7e4e309 elementor-widget elementor-widget-text-editor\" data-id=\"7e4e309\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.19.0 - 29-01-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<h3>What the Press Has To Say About Mr. Morrison:<\/h3>\n<h3>Directing:<\/h3>\n<p><b>The Hollywood Reporter<\/b><\/p>\n<p>Writer-director Christopher Morrison is ingenious. Reid gives a superb performance.<\/p>\n<p>&#8211;Stephen Farber, (The Bellwether)<\/p>\n<p><b>LA Times<\/b><\/p>\n<p>Teems with so many ideas. A powerful and wide-ranging lead performance from Alex Reid.<\/p>\n<p>&#8211;Noel Murray, (The Bellwether)<\/p>\n<p><b>Crypticrock.com<\/b><\/p>\n<p>This is a fully unique experience as far as films go\u2026 the film has a deeply-embedded and unwavering strength. Reid is superb.&nbsp;<\/p>\n<p>&#8211;Jeannie Blue, (The Bellwether)<\/p>\n<p><b>Horrorfuel.com<\/b><\/p>\n<p>The Bellwether is a damn fine fright flick; the message it conveys is timely and important, it\u2019s got a killer aesthetic, and the performance by Reid is not to be missed\u2026 plus it\u2019s full of tension and menace.&nbsp;<\/p>\n<p>&#8211;Daniel XII, (The Bellwether)<\/p>\n<p><b>Cinemainmind.com<\/b><\/p>\n<p>Reid is a British actress and Morrison developed the concept of the film well before the events of the&nbsp;Me Too and&nbsp;Time\u2019s Up&nbsp;movements, yet it is as timely and relevant as if it were conceived as a mascot movie for the movements.<\/p>\n<p>&#8211;Tim Cogshell, (The Bellwether)<\/p>\n<p>Makes \u2018The Handmaid&#8217;s Tale\u2019 look like \u2018Melrose Place\u2019. My worst feminist nightmare come to horrifying life. I had to pause the film to take a Plan B.<\/p>\n<p>&#8211;Amanda Duarte, creator\/host of &#8220;Dead Darlings&#8221; and co-creator of &#8220;Pussy Grabs Back&#8221;, (The Bellwether)<\/p>\n<p><b>The Oakland Tribune<\/b><\/p>\n<p>\u201cImpact\u2019s secret weapon is Christopher Morrison, whose work as a director is smart and funny.\u201d<\/p>\n<p>&#8211;Chad Jones (Money and Run Ep. I-III)<\/p>\n<p><b>The Albany Star<\/b><\/p>\n<p>\u201c\u2026a brave move towards a different style of theater.\u201d<\/p>\n<p>&#8211;Brendan Irvine-Broque, (Yippie, Skippy)<\/p>\n<p><b>East Bay Express<\/b><\/p>\n<p>\u201cDirector Christopher Morrison is inspired\u2026\u201d<\/p>\n<p>&#8211;Katy E. Shrout (Action Movie: The Play)<\/p>\n<h3>Performance:<\/h3>\n<p>\u201c\u2026he has proven himself a huge asset to the creative process\u2026His attention to detail and artistic sensibility were vital in making [Bar at the Edge of the Earth] a reality.\u201d<\/p>\n<p>&#8211;unsolicited letter of recommendation for Mr. Morrison from Cirque du Soleil, New Ventures, (full letter on request.)<\/p>\n<h3>Fight Choreography:<\/h3>\n<p><b>SF Bay Guardian<\/b><\/p>\n<p>\u201cMost Kick-Ass Fight Choreography Award\u201d&nbsp;&nbsp;<\/p>\n<p>\u201cChristopher Morrison&#8217;s amazing combat sequences for The Wake-Up Crew, which pitched some very physically gifted actors across the tiny La Val&#8217;s stage (and nearly through the walls) with fearless abandon.\u201d<\/p>\n<p>&#8211;Brad Rosenstein\u2019s Year-End Theatre Awards<\/p>\n<p><b>The Boston Globe:<\/b><\/p>\n<p>\u201cChristopher Morrison\u2019s [fight] choreography was as exciting as something in the movies, where it is easier.\u201d<\/p>\n<p>&#8211;Richard Dyer<\/p>\n<p><b>Oakland Tribune<\/b><\/p>\n<p>\u201cYou have not seen fight choreography until you see Christopher Morrison\u2019s work.\u201d<\/p>\n<p>&#8211;Chad Jones<\/p>\n<p><b>San Francisco Bay Times<\/b><\/p>\n<p>\u201cThe fight scenes, by the way, as choreographed by professional Christopher Morrison were nothing short of brilliant.\u201d<\/p>\n<p>&#8211;Drew VanDyche<\/p>\n<p><b>Martini Republic: LA<\/b><\/p>\n<p>\u201cSome of the most violent scenes [in Macbeth] turned out to be very disturbing for a long time afterwards.\u201d<\/p>\n<p>&#8211;Emmanuelle<\/p>\n<p><b>Backstage West<\/b><\/p>\n<p>\u201cFight Choreographer Christopher Morrison [has] created a number of lively physical brawling and stage fighting scenes.\u201d<\/p>\n<p>&#8211;John Angell Grant<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>What the Press Has To Say About Mr. Morrison: Directing: The Hollywood Reporter Writer-director Christopher Morrison is ingenious. Reid gives a superb performance. &#8211;Stephen Farber, (The Bellwether) LA Times Teems with so many ideas. A powerful and wide-ranging lead performance from Alex Reid. &#8211;Noel Murray, (The Bellwether) Crypticrock.com This is a fully unique experience as [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"_uag_custom_page_level_css":"","footnotes":""},"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"qi_addons_for_elementor_image_size_square":false,"qi_addons_for_elementor_image_size_landscape":false,"qi_addons_for_elementor_image_size_portrait":false,"qi_addons_for_elementor_image_size_huge-square":false,"emeline_core_image_size_square":false,"emeline_core_image_size_landscape":false,"emeline_core_image_size_portrait":false,"emeline_core_image_size_huge-square":false},"uagb_author_info":{"display_name":"Douw","author_link":"https:\/\/realityplus.org\/author\/douw\/"},"uagb_comment_info":0,"uagb_excerpt":"What the Press Has To Say About Mr. Morrison: Directing: The Hollywood Reporter Writer-director Christopher Morrison is ingenious. Reid gives a superb performance. &#8211;Stephen Farber, (The Bellwether) LA Times Teems with so many ideas. A powerful and wide-ranging lead performance from Alex Reid. &#8211;Noel Murray, (The Bellwether) Crypticrock.com This is a fully unique experience as&hellip;","_links":{"self":[{"href":"https:\/\/realityplus.org\/wp-json\/wp\/v2\/pages\/7129"}],"collection":[{"href":"https:\/\/realityplus.org\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/realityplus.org\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/realityplus.org\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/realityplus.org\/wp-json\/wp\/v2\/comments?post=7129"}],"version-history":[{"count":7,"href":"https:\/\/realityplus.org\/wp-json\/wp\/v2\/pages\/7129\/revisions"}],"predecessor-version":[{"id":7188,"href":"https:\/\/realityplus.org\/wp-json\/wp\/v2\/pages\/7129\/revisions\/7188"}],"wp:attachment":[{"href":"https:\/\/realityplus.org\/wp-json\/wp\/v2\/media?parent=7129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}